Dreams and nightmares are the fuel of most good horrors and thrillers. From antiquity to the modern novel and all the way through to cinema and videogames, it is a fertile ground to launch any kind of journey of uncertainty. In The Initiation, a dream is all main character Kelly Fairchild has to go on. Too bad someone is stalking her at the same time. Trailer (NSFW) and review after the jump.
Have you ever wanted a slasher movie where the drama is more important than the kills? Some nubile young people, a murdering nutter, a batpoop insane curse, hammy acting and more combine to make up the crazy Satan’s Blade, a film that prides itself with withholding just the twist and only the twist. Trailer and review after the break.
Emilio Miraglia is an Italian director who was most active in the 1970’s. He directed around six features (though he could have worked uncredited in more) and then vanished from the scene (literally). While he directed different genres, he’s most famous for two features: The Night Evelyn Came Out of the Grave (La notte che Evelyn uscì dalla tomba) and The Red Queen Kills Seven Times (La dama rossa uccide sette volte). Trailers (NSFW!) and more after the break.
After Prometheus, I really was wary of Ridley Scott going into sci-fi. He’s a guy who thrives when he was tackling different subjects one after another (Alien and Blade Runner led to Legend and Someone to Watch Over Me, Gladiator led to Hannibal and Black Hawk Down) so when he said he was going to adapt Andy Weir’s book The Martian to star Matt Damon so soon after his problematic return to the Alien universe, I was not in a great frame of mind to watch it.
Lucio Fulci has many films to his credit that exemplify his talents as one of Italy’s foremost horror directors. Zombie Flesh Eaters, City of the Living Dead and The Beyond to name a few and those were his most celebrated but he had a career spanning three decades. A lot of his projects were deliberate choices, creative endeavours so The Black Cat might seem an odd choice for Fulci but between his directing style and the way the film turned out, I think it’s one of Fulci’s better films.
Beneath is never going to win any awards for best story. It’s a haunted house spook-fest mixed with a slasher picture. It has an implausible setup. It has Jeff Fahey in it. It’s never going to be treated like Shakespeare. It doesn’t matter because it was quite the ride.