I’ll keep this extraordinarily brief as I feel slightly unable to put into context what I saw last night to a packed audience in the Cineworld IMAX in Dublin.
From the moment Prometheus ended, I couldn’t digest it. There was something too Frankenstein-esque about how the story seemed to shoehorn and then outright bolt things on to get into the Alien universe so Ridley Scott had an excuse to do a sequel that got us closer to the first Alien film and its events. In essence, Prometheus is the film that nobody needed. So where does Alien: Covenant sit after the rancour of the first prequel? More after the jump plus NSFW trailer.
Disney continues their assault on our wallets, tilling their back catalogue of animated films and characters for live action fodder. So far, their efforts have been successful with Maleficent, Jungle Book and Cinderella scoring big. But how will they do with a remake of 1977’s Pete’s Dragon? Trailer and review after the break.
I knew that Independence Day: Resurgence was going to happen. One of the most iconic 90’s movie, an assured cast, good SFX, a captive US 4th of July audience and a decent box office haul meant a sequel was going to happen. So here we all are twenty years later, ready for the follow up with new and old cast members together. Does it work? Was it worth the wait? Trailer and review after the break.
If nothing else, Return of the Killer Tomatoes is proof that you don’t need to see an obscure film in order to get sucked into its sequel. Attack of the Killer Tomatoes was a weird, funny film but when its first sequel came out in 1988, few people would have remembered instantly the first movie. And why would you when you have George Clooney as a sidekick, the gorgeous Karen Mistal as Tara and John Astin hamming it up as the evil and insane Prof. Gangreen? Trailer and review after the break.
The outsider is a figure that looms large on the horizon of most literature. The figure is both a figure of fear and one of transformation. Bad outsiders can destroy the status quo and force the hero/es to become better in order to triumph. Good ones destroy the evil that the rest of the cast cannot hope to fight as they are known quantities to the antagonists. But who gets to decide how an outsider is viewed by people on the inside? For better or worse, Zack Snyder’s sequel to Man of Steel deals with the emotional paranoia that comes with a world struggling to deal with the idea of the first son of Krypton.
Anthologies are tricky things. Studios don’t like them anymore and people have no modern experience with them so can they still work? In 10 Cloverfield Lane, producer J.J. Abrams and director Dan Trachtenberg take the DNA of the earlier smash hit and populate it into a nightmarish thriller where there is no escape, no help and no one to save the cast from itself. Trailer and review after the break
From the opening shot of Zootopia with its school recital, the film is firmly in hero Judy Hoops corner. She is an anomaly, wanting to be a police officer, because she’s a bunny and bunnies work on farms or at the very least, work quaint office jobs. So when she leaves Bunnyburrow for the big city, everything in her past tells her she’s making a mistake. But the minute she plays “Try Everything” by Shakira (as the character Gazelle) in her headphones and sees the tall spires of Zootopia, Judy and we are in for a different kind of Disney adventure.
Joe Dante is one of the best directors you’ve never heard of but have seen his films. I don’t mean he’s not famous but his work is always so good that we expect it of him and as such don’t give him as much praise as he deserves. Near the end of his killer run in the 80’s, he did a film for Universal called Matinee. Starring John Goodman, it’s one of Dante’s forgotten classics and a fitting homage to the monster movies of the director’s childhood. Trailer and more after the cut.
Much maligned, scorned frequently, Universal and Hasbro’s live-action version of popular cartoon Jem arrives with a lot of baggage and more than its share of problems. Trailer and chatter after the cut.